I'm from Curitiba. There's no cure for that.
The city is cold, gray, full of a fine drizzle that doesn't soak you — it just insists. I grew up in it without noticing it was growing up in me.
One day I left. Every Curitiba native leaves once, thinking the longing will fit in a suitcase. It doesn't. I lived under other skies, learned other languages, ate bread that wasn't from here. Lovely. But the drizzle was missing.
I came back. One always does. Because a first love is never forgotten — it only waits. And Curitiba waits well: sitting on a bench in Passeio Público, sipping coffee with no hurry.
Today I code by day and walk by night. The araucarias still stand with open arms, stubborn like me. The city taught me the essentials: to be discreet, to be precise, to love without fanfare.
Cold on the outside, warm on the inside. Like well-written code. Like me.
Botanical GardenCuritiba
Ópera de ArameCuritiba
Oscar Niemeyer Museumthe Eye
Rua XV de NovembroStreet of Flowers
Tanguá Parkthe quarry turned park
Japan Squarecherry blossoms in winter
Farol do Saberneighborhood library
Ukrainian MemorialTingui Park
Unilivrewood and forest
Photos via Wikimedia Commons — Jardim Botânico © Rodrigo.Argenton (CC BY-SA 4.0) · Ópera de Arame © Vanderlei Bissiato (CC BY-SA 3.0) · Museu Oscar Niemeyer © Thomas Hobbs (CC BY-SA 2.0) · Rua XV de Novembro © Monica Kaneko (CC BY-SA 2.0) · Parque Tanguá © Vitor Hirota (CC BY-SA 2.0) · Praça do Japão © Jean Servais Henri Colemonts (CC BY-SA 3.0) · Farol do Saber © Deyvid e Eloy Setti (CC BY-SA 3.0) · Memorial Ucraniano © Larissa Fraga (CC BY 3.0) · Unilivre © Marcus Bezerra (CC BY-SA 2.5).
It started with Conan Doyle and never stopped. I like a story that hides the answer somewhere on the first page and still lets you think you got there on your own — the same satisfaction as finding the bug nobody could find.
Jô Soares closes the circle: in O Xangô de Baker Street, Sherlock Holmes lands in Rio in 1886.
Star Wars® for the mythology, Star Trek® for the engineering. One asks what happens when good and evil carry swords; the other, what happens if humanity gets it right. You need both.
Someone wrote it, you execute it — and still the result depends on who's in the kitchen. It's one of the few things I do with no rush, and in no rush at all to automate.
It's still what I'd do anyway. These days a good part of it is applied AI — this very site was built that way.
Enemies of the Royal Flush
fuel for the drizzle
parks, squares and street corners